Excerpted from Clarke, The Philosophical Approach to God: A
New Thomistic Perspective, Second Revised Edition, New York:
Fordham University Press, 2007, Part Three, second (unnumbered)
section, “Is God Creator of the Universe? Whitehead’s Position,”
101-107.
“What then is the ultimate source or explanation of the unity of
the universe, of why its two correlative poles, God and the
multiplicity of the world, are attuned to each other so as to make
up a single system, since neither one ultimately derives all its
being from the other? . . . . Whitehead has turned our metaphysical
clocks back not only to a pre-Christian but to a pre-Neoplatonic
position, thus cancelling out one of the most decisive metaphysical
steps forward in Western thought.”
I have given this excerpt its title. For related insights, see
Peter A. Bertocci,
“Creatio Ex Nihilo: ‘Not So Utterly
Indefensible’” on this site.
Anthony Flood
April 4, 2010
Metaphysical Difficulties in Process Theology
W. Norris Clarke, S.J.
In
addition to being incompatible with traditional Christian belief in
God as creator, Whitehead’s rejection of an initial creation of the
world out of nothing runs into serious metaphysical difficulties.
On the one hand, as we have said above, it brings us back to an
older Platonic primal dualism of God against the world (in the
latter’s aspect of primal raw material or multiplicity to be brought
from chaos into order), where neither of these two primal poles is
ultimately responsible for the other. What then is the ultimate
source or explanation of the unity of the universe, of why its two
correlative poles, God and the multiplicity of the world, are
attuned to each other so as to make up a single system, since
neither one ultimately derives all its being from the other? If
there is to be any ultimate source of unity in the universe at
all—which is dubious, just as it was for Plato—it seems to be pushed
back beyond even God to an inscrutable, faceless, amorphous force of
creativity which is just there, everywhere in the universe,
as a primal fact with no further explanation possible—a kind of
generalized necessity of nature, with striking similarities to the
ancient Greek ananke. It should be remembered, too, that
creativity for Whitehead is not an actuality in and for itself, but
only a generalized abstract description of what is a matter of fact
instantiated in every actual occasion of the universe. Creativity
seems to be an ultimate primordial many, with no unifying
source.
But
not only is this doctrine in any of its forms not a Christian one,
it also suffers from all the irreparable deficiencies of any
ultimate dualism or multiplicity not rooted in the prior unity of
creative mind. This lacuna in Plato was quickly recognized by the
post-Platonic schools of Neoplatonism, culminating in the great
synthesis of Plotinus, who considered himself as only completing the
unfinished business of Plato by his doctrine of emanation of all
reality from the One, including matter itself. Whitehead has turned
our metaphysical clocks back not only to a pre-Christian but to a
pre-Neoplatonic position, thus cancelling out one of the most
decisive metaphysical steps forward in Western thought.
Even aside from the question of how to ground the unity of the
system of the universe, with its two intrinsically correlated poles,
God and the world, there remains another difficulty: if all
creativity does not ultimately derive from God, why does this
creativity continue to spring forth endlessly and inexhaustibly, all
over the universe, in each new actual occasion, from no actually
existing source? For creativity is not, as Lewis Ford insists, an
actuality in and of itself, but merely a generalized description of
the primal fact that it does spring up in each new actual occasion.
It is not itself a source because it is not in itself an already
existing concrete actuality. Hence the individual bursts of
self-creativity which characterize each newly arising actual entity,
and which are the only ground or referent for the term “creativity,”
seem literally to emerge out of nothing insofar as their actual
existence (= becoming) is concerned, with no prior ground for
their actuality whatsoever—though there is prior ground for their
formal elements. Why this creativity should bubble up unfailingly
and inexhaustibly all over the universe through endless time, with
no active causal influx or gift of actuality from another already
existing actual entity, remains a total enigma—one that is not
simply a mystery to us at present, but in principle rebuffs any
further penetration by intelligence, since there is no more ultimate
ground.17
Lewis Ford, one of the most representative Process thinkers in
America, has responded to this objection by stating that once this
first step is granted everything else falls into place, and that
this is the most one can ask of an initial metaphysical principle.
It seems to me, however, that the price of this initial enigma is
too high. The doctrine of creativity is admittedly obscure and
undeveloped in Whitehead. But until this difficulty is cleared up,
the process theory of God remains both theologically and
philosophically inadequate to express either the traditional
Christian conception of God as creator—i.e., Ultimate Source of the
very existence of the universe, as well as of its intelligible
structures—or the metaphysical exigencies of an ultimate ground for
the unity of the universe. An infinitely fragmented force of
creativity cannot be an authentic ultimate, precisely because it is
actually a many, and only abstractly one.
(To
his great credit, however, in his later years, after the first
edition of this book, Lewis Ford has suggested that a creative
adaptation of Whitehead can be and should be made, according to
which God becomes the ultimate Source of all creativity, which he
then actively shares with all other beings. This would go far
towards healing one of the basic gaps in the internal unity of the
system.)
We
find ourselves here in the presence of what seems to many of us the
most radical metaphysical opposition between Whitehead and St.
Thomas—and, it seems to me, on St. Thomas’s side, most of the great
metaphysicians in history, both Eastern and Western. In St. Thomas
there is an absolute priority of the One over the many, so that the
many is unqualifiedly derivative from and dependent on the One, in
an asymmetrical relation. In Whitehead, there is in the last
analysis an original priority if the many over the One.18
No matter how much Whiteheadians may insist that the One brings
into unity the many—that the One and the many are intrinsically
correlative to each other, so that neither is prior to the other—it
remains unalterable that the unity of synthesis is a later or
secondary ontological moment (not necessarily temporal).
The
original or primordial ontological contribution of each side of the
correlation of God and world is radically and ultimately
independent of the other. God is not responsible for there
being a many at all—i.e., the basic “raw material” for there being a
world to be brought into order at all. He is not even responsible
for its primordial potentiality to be ordered; nor,
obviously, is the world responsible for there being a God with the
power to order it. This is true even in the primordial nature of
God with respect to the infinite set of “eternal objects” or formal
pattern-models of order and value which He eternally envisages and
draws upon to lure the world into harmony, like the Platonic
Demiurge which Whitehead takes as his explicit inspiration. Though
the determinate ordering of these pure formal ideal possibilities is
due to His creative initiative, still the primordial presence of
some quasi-indeterminate reservoir of not yet integrated formal
possibilities is not itself generated by the divine creative act
but—vague and obscure as its status is in Whitehead—remains an
ultimate given of independent origin even for the divine mind and
power.19
Though this ultimate reservoir of the many in the order of forms
does not possess full actual existence as actual entities, still
they possess some kind of primordial being of their own as
their own contribution of raw material for the act of divine
ordering into a determinate world of possibilities. Again the many
has radical priority, since the duality of God and world, God
and possibles, is itself an ultimate original many. Thus
there is no explanation finally of why both sides of this
correlation are originally present at all, nor (another serious
difficulty often overlooked) is there any reason given why there
should be a positive affinity of one for the other—i.e., a
positive aptitude or intrinsic capacity in one to be ordered by the
other. Thus neither the original presence or givenness of the two
sides of the correlation One/many (God/world) nor their intrinsic
tendency and capacity to mutual correlation is given any
explanation or ground. The many—at least in the sense of this
initial duality of component terms—retains absolute priority,
grounded in no prior or deeper unity.
But
practically all of the great metaphysicians of the past, East and
West, except Plato and Aristotle, have agreed on at least this: that
every many must ultimately be grounded in some more primordial and
ultimate One. A many makes no sense at all unless there is some
common ground or property (existence, goodness, actuality,
creativity) shared by each, without which they could not be compared
or correlated at all. Nor can any many be intrinsically oriented
toward order and synthesis unless some ultimate unitary/ordering
mind first creatively thought up within itself this primordial
correlation and affinity and implanted it in the many from one
source. Not only all actual order, but all ultimate possibility of
order must be grounded in a One, and in a Mind. As St. Thomas often
put it, following the ancient “Platonic way” (via Platonica),
“Wherever there is a many possessing some one real common property,
there must be some one ultimate source for what the many hold in
common; for it cannot be because things are many (not one) that they
share something one.”20 Thus either we leave the many
and its correlation with the One ultimately ungrounded, with no
attempt at intelligible explanation at all, or else we must have
recourse to some further hidden ultimate principle of unity. But
this would require for Whitehead recourse either to some ultimate
inscrutable principle of blind necessity or to some further God
hidden behind his God—hardly Whitehead’s cup of tea.
In
sum, despite Lewis Ford’s insistence that the primordiality of the
many as co-equal with the One is one of Whitehead’s unique new
contributions to modern metaphysics,21 the fact that it
is new does not make it viable. In the last analysis, what is
missing from Whiteheadian metaphysics is that it remains content
with Plato’s Demiurge without pushing on to the underlying doctrine
of the One or the Good, which Plato himself finally saw had to be
the last word and which Plotinus carried all the way to its implicit
consequences—the origin of matter from the One.
I
am delighted, however, to learn that in these later years, after the
publication of the first edition of the present book, Lewis Ford has
been more and more willing to concede that creativity is not simply
an independent force on its own, but may be said to be an original
gift from God to all other beings, thus strengthening the unitary
source of the universe. This would be a significant step toward
healing the original unreduced dualism of the system and open a more
fruitful dialogue with traditional Thomistic metaphysics.
Notes
17
Cf. Edward Pols, Whitehead’s Metaphysics: A Critical Assessment
(Carbondale: Southern Illinois University, 1967), 131.
18
Cf. David Schindler, “Creativity as Ultimate: Reflections on
Actuality in Whitehead, Aquinas, Aristotle,” International
Philosophical Quarterly 13 (1973): 161-71; and “Whitehead’s
Challenge to Thomism on the Problem of God: The Metaphysical
Issues,” International Philosophical Quarterly 19 (1979).
The point of the latter article is that for St. Thomas the ultimate
common attribute that unites all things, the act of existence (esse),
is grounded in one actual, concrete source (God), in which it is
found subsistent in all its purity and plenitude and from which it
flows by participation to all other instances, whereas for Whitehead
the ultimate unifying property, creativity, is never found condensed
and concretized in one ultimate source, but remains always radically
multiple, dispersed among many. See also the important article of
Robert Neville, “Whitehead on the One and the Many,” Southern
Journal of Philosophy 7 (1969-70): 387-93.
19
Process and Reality, 392: “God does not create eternal
objects; for his nature requires them in the same degree that they
require him. . . . This is an exemplification of the coherence of
the categorical types of existence.” Cf. Leclerc, Whitehead’s
Metaphysics, 199; cf. also Kenneth Thompson, Whitehead’s
Philosophy of Religion, 127: “God does not bring creativity into
being. . . . Neither does God bring pure possibilities into being.
Pure possibilities are named ‘eternal objects’ precisely because
they are uncreated.”
20
On the Power of God, question 3, article 5; cf. Summa
Theologiae, Part I, question 44, article 1; Part I, question 65,
article 1.
21
Lewis Ford, loc. cit., in note 11. [i.e., “The Immutable God and Fr.
Clarke,” New Scholasticism 49 (1975): 191.